A few opening remarks*
[…]Each, insofar as it stands forth, is marked by what it is not, internally spaced out so that if one were to superpose one case onto the other, each unit would see itself imposed upon by this lackits doppelganger as you put it. The actual space between the units that Collyer emphasizes by cropping and the addition of the symbol becomes the representative of their having been re-marked.[…]
The Artist That Therefore I Am by Steve Reinke
John Marriott has too many ideas. It’s a problem; it comes time for an exhibition and he doesn’t know what to show. It isn’t a matter of editing, or of selecting the good or successful or appropriate work from the duds, the losers, the inappropriates. It’s a matter of starting all over again, as if from scratch.
The Artist, the Gallery and the Self-Aware Shed by Michelle Jacques
Today, the modernist vision of the ideal gallery space, which accentuates the art object while the surrounding architecture recedes, is still a prevailing trend.
Sarah Lazarovic: Of Jelly Donuts & Dziga Vertov
Of Jelly Donuts and Dziga Vertov by Sarah Lazarovic
Crystal Mowry: Spedeology 101 and the Static Ornament
Spedeology 101 and the Static Ornament by Crystal Mowry
On Holly Ward’s The Future is Now by Mark Clintberg
On Holly Ward’s The Future is Now by Mark Clintberg