Faith La Rocque’s work takes shape from an unexpected mix of skepticism and belief. It arrives through the excavation of material histories and discovering the vagaries of cultural value they accrue over time.

Despite their reductive appearances, Groombridge’s work holds an indexicality or reference to the real. The forms are not entirely arbitrary; they are rooted in sourcesfacts, data, measurements; some common, some notor a system of his own devising. There’s a there thereyou just need to look harder to see it.

Regardless of the efficacy of my interpretation, its relevance is only warranted by that which eludes writing. After all “meaning,” according to Brian, is probably overrated. I undertake this writing exercise because I admire Brian’s character and his work.

Comprised of woodcut prints, shaped and pleated paper elements, and puppets that the audience is invited to move around via a system of wire tracks, the impression conveyed by the installation is of a story that both unfolds as a narrative around the perimeter thus implying the progression of time while it also exists as an absorbing and immersive experience in the present moment.

As I stood with Jaime Angelopoulos inside her studio, it was admittedly difficult to concentrate. Trains of thought kept running away from me, questions on the tip of my tongue suddenly dissipated from memory.

This multimedia presentation explores the construction of narrative and its effect on the notion of site through the production of a mock-documentary and fan-film, which serves as an anchor for the sculptural elements and detailed drawings that accompany it, weaving together fictional elements with theoretical research on the nature of the universe.

Multidisciplinary artist Julie Lequin’s latest piece, Top 30, presents her personal take on the ups and downs of aging. From her childhood in the small town of Sorel, Quebec to her graduate years in California, Lequin examines her past with nostalgia and a good dose of humour.

This essay was commissioned by and for This is Paradise, exhibition at MOCCA (Museum of Contemporary Canadian Art) from June 24 to August 21, 2011. This and other essays for this exhibition have been supported by YYZ Artists’ Outlet and YYZ Publishing.

This essay was commissioned by and for This is Paradise, exhibition at MOCCA (Museum of Contemporary Canadian Art) from June 24 to August 21, 2011. This and other essays for this exhibition have been supported by YYZ Artists’ Outlet and YYZ Publishing.

This essay was commissioned by and for This is Paradise, exhibition at MOCCA (Museum of Contemporary Canadian Art) from June 24 to August 21, 2011. This and other essays for this exhibition have been supported by YYZ Artists’ Outlet and YYZ Publishing.