These paintings, which are for coloured electric light, are not paintings of anything, and with the abandonment of the subject (architectural, natural) that had persisted in Hutchinson’s work until now, perspectival space within the painting is displaced by compositions based on an isometric grid whose size is determined by that of the brush that will be used.

When Ct set out to make The Chorus, I understand he was looking for a way to gauge the enormous transformation that has taken place in China since the era of Mao.