For roughly a decade, Alexandre David has been conducting spatial experiments. His practice as a sculptor has led to a series of interventions in various locations, always producing slight perceptual changes minor yet potent modifications in how we relate to a given space thus raising the question of our relationship to spatiality in general and, more specifically, to the spaces of our daily lives, and to architecture.

Ashley Guindon’s video installation, A Great Mystery, turns the most pertinent of museum rulesdon’t touchon its head, while simultaneously willfully abiding by it.

Artforum |October 2010